Start here
Write and create 5 min DREAM
Make this sound like me on a good day, not like a chatbot.
Your draft rewritten in your own voice, learned from two things you actually wrote.
Scene 22 prompts
Keep your own voice and get an honest reader.
Prompts that use the assistant as an editor, an interviewer and a first reader, and rarely as the author. Most ask you to paste your own words, because that is how the result ends up sounding like you. Expect plain notes on what isn’t working and a draft you still finish yourself.
Start here
Write and create 5 min DREAM
Your draft rewritten in your own voice, learned from two things you actually wrote.
21 more prompts. Open one to make it yours.
Three habits that run through your writing, with your own lines as proof, and one to try dropping.
2 versions
Your main point, a short outline and three opening lines, all drawn from your own answers.
The three biggest problems in your draft, ranked, plus what’s working and should stay.
A cold read of your message: what it seems to ask, where attention drifts, what could land wrong.
A shorter version in your own words, with a list of what was cut and why.
The passage you’re attached to that the piece doesn’t need, and what happens if it goes.
Every sentence a reader would stumble on, with the reason and a plainer version beside it.
Your piece reworked for a different reader, with a list of what changed and why.
Ten titles in five styles, one clear pick with reasons, and a runner-up.
A short cover letter made from your own rough words, with nothing in it you wouldn’t say aloud.
Three short bios built from facts, in three tones, and the one detail people will remember.
A short, kind message that says the hard thing in the first two sentences.
Five note cards for a short speech: your one point, three beats and a closing line.
Five everyday comparisons for a hard idea, where each one breaks, and the one to use.
A first telling of one memory, under 250 words, made only from what you remember.
The question your entry is circling, its strongest line, and an outline for an essay.
A poem of twelve lines or fewer, built from details that belong to the two of you.
Thirty ideas that fit your limits, the obvious ones labeled, and the three worth keeping.
Your shortlist put through five plain tests and ranked, with what to check before you commit.
Three creative constraints aimed at your rut, and one turned into a short exercise.
A read on where your project stopped, and three small ways back in, each under twenty minutes.
Write and create is one of 12. These two sit on either side of it.