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Work 10 min DREAM
Why do my manager and I keep missing each other?
A one-page read on what your manager needs from you, three changes to try, and one question to ask them.
Moment 27 prompts 6 scenes
The inbox is full and the day hasn’t started yet.
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Work 10 min DREAM
A one-page read on what your manager needs from you, three changes to try, and one question to ask them.
26 more prompts, drawn from 6 scenes.
One place where changing your method, not adding effort, would pay off most.
2 versions
A one-page guide to working with you that you could hand to a new manager or teammate.
2 versions
A half-page brief for a meeting that matters: your goal, your opening and the question you’re dreading.
Three ways to turn down a request at work, from a clear no to a trade, in words you can use today.
A calm version of the message you wrote angry, built to get the result you want from it.
Six questions and a simple agenda for your next one-on-one, written for the person across the table.
Today cut down to what truly has to happen, placed where your energy is least bad.
A realistic morning in two versions, normal and running late, built around your real constraints.
The most likely feeling behind one task you keep dodging, and a first ten minutes that gets around it.
Three things in order: one for progress, one for a person, one for peace of mind. The rest can wait.
Every urgent item tested against what happens if it waits, plus a note for whoever has to wait.
A setup for one protected block: a finish line, a first move, and a plan for the moment you stall.
The arithmetic of your week, how far over you are, and a verdict on what gets cut, shrunk or moved.
One sentence that says what the week is for, the few things that serve it, and what’s allowed to slide.
A verdict on every meeting: keep, shorten, handle in writing or decline, and the hours you get back.
Decisions, actions with owners and dates, open questions, and a follow-up message ready to send.
Every message sorted into four piles, with a two-line reply drafted for the ones that can’t wait.
A range instead of a hope, built from the parts and from how long it took you last time.
The smallest version that still does the job, a plan for the hours left, and a message if it won’t fit.
The few things to learn first in a new work tool, mapped from the one you’re leaving behind.
Your draft rewritten in your own voice, learned from two things you actually wrote.
A cold read of your message: what it seems to ask, where attention drifts, what could land wrong.
A shorter version in your own words, with a list of what was cut and why.
Every sentence a reader would stumble on, with the reason and a plainer version beside it.
Your piece reworked for a different reader, with a list of what changed and why.
Five note cards for a short speech: your one point, three beats and a closing line.
This is one of 16. These two sit on either side of it.